SAN ANTONIO,
June 10 /PRNewswire/ -- The McNay Art Museum in
San Antonio,
the oldest modern art museum in
Texas, has officially reopened after doubling
in size. The 45,000-square-foot expansion -- named the Jane and Arthur Stieren
Center for Exhibitions -- allows the museum to host larger,
critically-acclaimed exhibitions and enables it to show more of its
collection, with distinctive additions such as a beautiful outdoor sculpture
garden to showcase the museum's growing sculpture collection. The
$33.1 million Stieren Center re-opened on
June 7, 2008.
Jean-Paul Viguier, a French architect who has designed several modern-day
Paris landmarks, served as the museum's lead architect. TBG, Texas' largest
landscape architecture and planning firm, was responsible for designing the
new outdoor sculpture gardens and other exterior features.
The Stieren Center is a long, low two-story glass pavilion set deep into a
grassy slope. A glass wall spans the facade at the upper level, alternately
opening out onto a terrace or plunging a story into a contoured sculpture
garden. On the lower level, the glass facade plays peek-a-boo with the
surrounding grounds -- disappearing behind paved terraces, opening out onto
the new sculpture gardens, and disappearing again behind other planted slopes.
INTERIOR
The interior design derives from the principle that "works of art need
natural light." To adjust to the bright south Texas sun, the project team
devised an innovative seven-foot-thick, glass and steel multi-layered roof and
cooling system, which allows the museum to filter and adjust light for
different media. The museum's interior spaces are continuous, changeable and
seemingly free of structure.
Once inside the AT&T Lobby, the Stieren Center's first gathering space,
visitors find the main galleries to the right filled with natural light and
capped by ceiling made of ground-glass, the roof system's functional bottom
layer. Designed to change configuration as needed, the 7,500-square-foot Tobin
Exhibition Galleries allows the McNay to host larger traveling exhibitions for
the first time. Flowing from the AT&T Lobby are the museum store and the Ewing
Halsell Foundation Reception Hall for special events.
From the Tobin Exhibition Galleries, shallow stairways lead down into a
long, dramatic barrel of a gallery running parallel to the glass facade. This
sculpture gallery overlooks the whole of the new sculpture garden and opens
onto an elevated terrace, the Brown Foundation Sculpture Terrace. A monumental
perforated, bronzed metal staircase leads to the Center's lower garden level,
where four more galleries, the 225-seat Elizabeth and William J. Chiego
Lecture Hall, two learning centers, technical and storage spaces and restrooms
are found.
EXTERIOR
A jade green slate paves the pathway and front landing, frames the glass
threshold, and enters into the Stieren Center's lobby. These meandering
pathways offer views of sculptures, gardens and McNay's buildings, while stone
partitions align with the building's grid to showcase three outdoor sculpture
"rooms" or galleries and the main sculpture garden. TBG designed the sculpture
garden to be monochromatic, streamlined and simple to help emphasize the art
within it. The garden's walls jut out on an axis on clean lines that are
covered in the same jade green slate, which is also the color of the integral
concrete used for the garden's sidewalks. The east and west meandering walks
incorporate a log-jamb pattern that mimics perforated metal screening and
other elements of the museum's interior. Along the far garden wall, a
three-tiered fountain, covered in slate veneer to match the garden walls,
flows at an extremely slow pace ultimately collapsing into a long pool.
In addition, TBG preserved existing native large trees, ranging from 17'
caliper and ornamental trees to palm trees, and also incorporated various
plantings to shield the museum's delivery area, acting as an aesthetic mask to
block necessary security devices from the general view.
PROJECT TEAM
In addition to Jean-Paul Viguier as the architect and TBG as the landscape
architect, other project team members include the Paratus Group of New York,
who directed the building project on behalf of the McNay; and San
Antonio-based Ford Powell & Carson, Inc., a multi-disciplinary design firm, as
the executive architect for the Stieren Center. Pape-Dawson Engineers of San
Antonio served as the consulting engineers.
ABOUT TBG
As Texas' largest landscape architecture and planning firm, TBG designs
mixed-use and residential communities, corporate campuses, civic buildings,
hotels, resorts, healthcare and educational facilities, city parks and
historic sites. With 29 LEED Accredited Professionals on staff, TBG works to
incorporate sustainable design principles into each project. Established in
1987, TBG is now staffed by more than 130 professionals in Austin, Dallas/Fort
Worth, Houston and San Antonio. For more information, please visit
http://www.tbg-inc.com.
ABOUT THE MCNAY
Built by educator Marion Koogler McNay in the 1920s, the Spanish Colonial
Revivalstyle home opened as the first museum of modern art in 1954. Mrs. McNay
believed that the experience of great art should be available to everyone.
Today more than 100,000 visitors a year become captivated by magnificent works
of art by 20th-century luminaries including Paul Gauguin, Vincent Van Gogh,
Edward Hopper, Georgia O'Keeffe, Pablo Picasso, Jackson Pollock, and
Pierre-Auguste Renoir.
A vital partner in arts education, the McNay annually serves as many as
45,000 adults, teachers, students, and families with a variety of arts
education programs and educational resources, including a fine arts reference
library and interpretive information about art in the museum's collection and
exhibitions.
Admission and parking are free except during selected exhibitions and
special events. The McNay is open for Tuesday through Friday, 10:00 am - 4:00
pm; Thursday, 10:00 am - 9:00 pm; Saturday, 10:00 am - 5:00 pm; and Sunday,
noon - 5:00 pm.